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Showing posts with label Hermann Heid. Show all posts
Showing posts with label Hermann Heid. Show all posts

Monday, August 24, 2026

Hermann Heid I

Hermann Heid was a late 19th Century Austrian whose work is often confused with that of Louis Igout.  This is mainly because a publisher in Paris issued a volume of artists' studies that had the work of both men mixed up without attribution.  This one could go either way, imho.



 

Hermann Heid II


I first posted this about seven years ago, and I didn't know the photographer at the time, 
although I had seen it attributed to both Igout and Max Koch.  Turns out to be by Hermann Heid, 
as verified  by a couple of major European universities.

 

Tuesday, June 16, 2026

Hermann Heid


This model worked for other photographers, 
but this picture is by Hermann Heid.

 

Monday, March 16, 2026

Hermann Heid


The more I look at this somewhat jumbled Hermann Heid photo from 1885, the more I like it.

 

Thursday, December 18, 2025

Hermann Heid I


I can't tell if this Hermann Heid model is gesturing or holding an imaginary object.

 

Hermann Heid II


Hermann Heid made good use of that little table to set up this shot.

 

Tuesday, July 22, 2025

Hermann Heid


This photo is attributed by a European university library to Hermann Heid.  I've seen the same model in some photos by Louis Igout, but such personnel overlaps are not at all unheard of.

 

Saturday, November 9, 2024

Monday, July 22, 2024

19th Century, Part 1 - Mixed Lot


Part one of today's 19th Century series is a mixed bag of mostly semi-nudes.
Hermann Heid took this photo of a guy in striped shorts, something I swoon over.

 

Tuesday, June 18, 2024

Thursday, March 28, 2024

A different view this time


Hermann Heid took this picture of a strong man, a different photo 
of whom I posted several weeks ago.  This time we see him from the rear.



 

Saturday, March 2, 2024

Photo by Heid


I've posted photos by Hermann Heid of this late 19th C. bodybuilder before, but this 
"new" one is sort of special.  First, we can see the lines an artist drew to help with 
enlarging the image for a drawing or painting.  Second, a name is given, Schulz.
Also, he's the only Heid model I've come across who didn't pose nude.

 

Wednesday, February 28, 2024

Hermann Heid



 

These wrestlers are a rather blurry stray left over from a previous Hermann Heid set.

Monday, March 7, 2022

Hermann had good taste


Hermann Heid took this derriere photo of a beefy model in the 1880s.

 

Thursday, September 2, 2021

Heid

You've seen these two before in other poses from a remarkable series that I've seen 
attributed to both Louis Igout and Hermann Heid.  I found this one in a European 
university archive listed as Heid's, so I'm going with that . . . this time.
Disclosure:  I brightened this and sharpened it to make it more viewable.



 

Friday, May 14, 2021

Inset no help


This photo has the catalog code inset that the jumble of Igout and Heid photos in the artists' study album all have.  There being no key or decipherable pattern to those insets, they don't help.

 

Heid . . . probably


I've seem more attributions of this picture to Heid, so I'm going with that.
But I could be wrong.  I've been wrong before.

 

Take your pick


Igout and Heid have both been credited with this one, so take your pick.

 

Thursday, March 11, 2021

Heid Goes Horizontal


Hermann Heid was a 19th C. Austrian photographer who worked for a time in Paris and had 
a number of his male and female nude photographic studies published in a bound album along 
with works by Igout.  A problem of sorts has arisen over which photographer produced which 
photos because not only did the publisher not differentiate or credit either of the two, but they 
used some of the same models, studio settings, and style.  Oh, well.  Today we look at some 
works supposedly by Heid in which he shows his penchant for photographing models in 
various horizontal or near  horizontal positions.  We start with this duo featuring a 
personal favorite burly model with curly hair.

 


This may be yet another example of the "Dying Gaul" motif . . .
or it could be something else entirely.