By 1966 when DSI published the fourth edition of Butch, the legal status of male nude photography was in a state of flux across the USA. As early as 1962 that great pioneer of expressive freedom and gay rights, Chuck Renslow of Kris Studio, had won a court case based on the fact that a nude photo he published had pretty much the same content as a Chicago museum piece. That opened doors, but only in the parts of the country where the Chicago Circuit Court of Appeals had jurisdiction. There was a confusing patchwork of legality when DSI put out the magazine that I am posting in it's entirety today. There is full frontal nudity, but there are also posing strap photos, semi-nudes, and quite a bit of text justifying freedom of expression. I consider this publication to be a pivotal moment in both Gay History and the history of freedom of expression. I would not have this material were it not for the exceptional generosity of Tim T. who donated it to me. Thanks a million, Tim!
Showcasing vintage male photography, mostly nude. You must be 18 years of age or older to visit this blog! If you hold a copyright on any material shown on this blog, notify me, and it will be removed immediately.
Followers
Friday, September 30, 2022
Pgs. 2-5 - Opening Credits, etc.
The inside of the cover (page two) featured an ad for a leather bound collectors' book called
The Greyhuff Review. (I'm sure it left at least some of the viewers huffing.) Page three was a
sort of generic cover page. When we get to page four we get the obligatory "Adults Only" bit
along with some copyright (since expired) info and the name of the cover model, David, and
the source, AMG. The preliminaries end with some bareboned contents and a lofty creed.
Pgs. 6-9 - Editorial
The main body of the issue opens with this editorial followed by an ad for Tiger, a new DSI magazine that eventually was part of a deluge of such in the late 60s as nationwide reform took hold. Notice that they were still calling it a "male nudist magazine" just in case the censors moved in.
Pgs. 10-11
DSI did not list the names of the models in this issue. Perhaps it was too soon, given the legal complexities of the time. They did, however, list the studios which produced the photos along with information on how to order specific models. Oddly, even with the address information, I was not able to find any information on several of the photographers. At right, we have a photo by Rod Crowther which I featured some time ago in a series with men on logs.
Pgs. 12-13
The guy at left by Plato reminds me of one of the models in the recent British Beef
extravaganza, but Plato had a New York address. Lon? I like the guy and the dog at right, too.
Pgs. 14-15
Galaxy was one of the marques used by John Barrington, and sure enough, DSI
gave a London address for them. I have never heard of Maclane Studios.
Pgs. 16-17
Rod Crowther provided Butch with the furry fellow at left. He is in my Crowther collection,
but I have no name for him. DSI cropped out a posing strap for this magazine version.
Pgs. 22-23
Pat Milo puts in an appearance here with an unknown model. I don't know who
Lucky Pratt was, but those chains look more like a swag lamp than real bondage.
Pgs. 26-27
I'm left wondering if Arts Unlimited was an in-house marque of DSI because I can't
seem to find them in the usual photographer databases. Anyone know? On the facing
page is another mystery outfit called Times Square Models which, although mentioned
by name in one database, has no photographer info available.
Pgs. 28-29
The right hand image is attributed to Kris, which is technically
the studio involved, but the art work was done by the great Etienne.
Pgs. 32-33
These rather demure images were produced by the well known Mel Roberts (left)
and Don Wight (right) who was also a talented artist who did erotic drawings.
Pgs. 34-35
Arts Unlimited provided a lot of the photos for this edition of Butch,
and our right hand photo is theirs. Model of the Month Club was, I think,
a feature of a pre-liberalization magazine, hence the posing strap.
Pgs. 38-39
These facing pages have a longtime legal work by Kris Studio on the left
and a previously forbidden frontal nude by Arts Unlimited on the right.
It's worth repeating that the frontal was only legal in parts of the USA at the time.
Pgs. 40-47 - A Timely Essay
While some observers might say that including this essay was self-serving insofar as it provided legal "cover" for the nude photos, I think it was a sincere commentary on the cultural environment of the time. The unattributed author covers everything from Kinsey to the Puritans and even the Bible. My favorite line is the last, "Blessed is the rebel - without him there would be no progress."
Pgs. 48-49
While there wasn't some sort of ad on almost every page like we've seen with
Bob Mizer's Physique Pictorial, DSI put a lot of self promotion in Butch. Here
we have facing pages with DSI's very diverse catalog, Vagabond, on the right and
a book version of Butch with all frontal nudes on the right. DSI was undoubtedly
the first broad spectrum gay oriented merchandise outlet. Besides the predictable
books, photos, and magazines, they also sold records, towels, clothing,
underwear, and even kitchen gadgets.
Back Cover
I can't seem to find any info on the back cover, and that's a shame because the models and the lighting are both excellent. I hope you've taken the time to read the text passages in this edition of Butch, because they give us a window into an exciting and transitional time in the both the world of male nude photography and the wider world of gay life in America. And once again, my sincerest thanks go to Tim T. for his amazing generosity in donating the hard copies of so many publications.
Wednesday, September 28, 2022
Warrior Sculptures Day
I had a request for some male nude sculpture from Jack D. in Birmingham, Alabama,
so today we'll view some warriors in stone and bronze. We start with
Basil (Vasilios) Phalereus' 1955 statue of Leonidas.
Achilles
A lot of sculptors have done a take on Achilles. This one is by the
very appropriately named Charles Alphonse Achille Gumery.
Bellerophon
Here we have Bellerophon Fighting the Chimaera from the Austrian Belvedere Gallery as sculpted by Johann Schaller, 1821. Mr. Schaller went really Classical on the package for this one.
Samson
This is Samson Slaying a Phillistine by 16th C. Flemish Sculptor Jean Boulogne,
aka Giambologna, who worked for the Medici family in Italy. From the V&A in London.
Greeks
These are the Riace Warriors, two 5th Century B.C.E. bronzes found
in the Mediterranean in 1972 off the coast of Riace Marina, Italy.
Viking
John Borjesson created Captive Viking in 1878,
and I believe it can be found in a park in Stockholm.
Monday, September 26, 2022
Models with magazines of a certain type
Today we take a look at some models who posed with girlie magazines. The classic era
physique photographers often kept those on hand to, uh, entertain the models. We start with
a guy named Chuck Hall photographed in a sailor uniform by Pat Milo. Oh, and I'm tagging
all these "reading" despite the fact that none of the models were likely to have had
any interest in the articles, such as they may have been.
Marilyn
Although LIFE was by no means a girlie magazine,
the Marilyn Monroe cover qualifies for the series.
It seems to have affected the model somewhat.
Richard
I think I detect a female form on the magazine
Richard Sorkorum is looking at in this photo by Domenique.
Jack
I can't make out the magazine that Jack Virgil is reading, but Pat Milo, the photographer,
was known to have kept a good supply of "men's" magazines.
Film Figure
This guy has his girlie mag and a hand towel at the ready.
Something tells me that wasn't a classic journal of the cinema.
Smug
Our last model with a girlie magazine is a smug looking
young man who's dressed everywhere except where it matters most.
Sunday, September 25, 2022
Fig Leaf Popup
Today I'm doing a quick popup series on muscular early 20th C. men in fig leaves.
We start with F.W. Guerin who was a student of Prof. B.A ;McFadden.
Unknown hailing a cab
The fig leaf on this unknown model looks like it was added after the fact,
leaving me thinking there was a full frontal nude at some point.
Bobby Pandur (sometimes Pandour) was quite a phenomenon in his day. He was actually a Polish gymnast named Wladyslaw Kurcharczyk who moved to England just as interest in theatrical gymnastics was waning. So he shifted to being a strongman and took up publishing training aids.
His greatest financial success was on the American Vaudeville circuit.
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